“If Mahavishnu, Miles and Broetzmann’s Die Like A Dog quartet had a party in an Istanbul punk /metal club, it would be this.” – overheard post-concert

Searing, atmospheric and hypnotic, Love Unfold The Sun deftly summons free jazz, Middle Eastern and hard rock elements as the canvas for sparkling telepathic interplay and muscular grooves.

Conceived by guitarist/oudist/improvisor Mustafa Stefan Dill , Love Unfold The Sun reconvened in 2018, with most of its original lineup from its original Santa Fe provenance in the 2000s. The band’s first two reunion shows were multitracked and released as Live At Duel in February 2019.

The interplay, energy, range and the much freer take on the usual world/jazz mashup genre made the disc a compelling offering:

“The open improvisations reveal an acute sensitivity ,… ushering the quartet into one bracing and surprising exploration after another. Mel Minter, Musically Speaking, April 2019

“…[the group members] combine nicely the kind of post-Milesian electricity of the Davis ’70s bands with a Mid-Eastern sensibility and plenty of freedom. Dill has his own way around the guitar and it has been influenced quite naturally by his own oud work. Everybody gets with it here. It is a good go of things…” Grego Applegate Edwards, https://gapplegateguitar.blogspot.com, May 2019

The band has developed an enthusiastic and increasing following via its live shows, spurring the digital-only Live at Paradiso in 2024, a documentation of the band’s celebratory first appearance following Dill’s bouts with cancer and open heart surgery.

“Explode Yourself”, releasing May 2025, is the group’s first studio release, offering new tracks as well as a more detailed, concise treatment of previous live material, while still maintaining their trademark spontaneity and sensitivity.

 

who we are:

 

mustafa stefan dill

Mustafa Stefan Dill is best known for his fiery, virtuosic amalgam of Middle Eastern, jazz, rock and experimental elements on electric guitar, flamenco guitar and oud in such projects as Pray For Brain, Love Unfold The Sun, and others.

His penchant for pushing the edge can be traced back as far as 1988 when Guitar Player magazine heralded his early electric work as “a maniacal tour de force of outside extremism.”

Dill is a product of diverse cross-cultural childhood experiences, including strong memories with Lebanese relatives in Mexico and formative years in the culturally diverse city of Montpellier, France. He earned a Masters degree in composition from the New England Conservatory in Boston, studying with Joe Maneri.

He has performed in solo concerts throughout Europe since 1992 at such venues and festivals as FMP’s Total Music Meeting, Wirral Guitar Festival, Paderborn Guitar Festival, Zuid Nederlands Jazz Festival, Festival HispanoAmericano de la Guitarra, Erlbach, Nickelsdorf, and more.

He has worked with Cecil Talyor, Guus Janssen, J.A. Deane, former students John Dikeman and Ava Mendoza, Brahim Fribgane, Jack Wright, John Jasnoch and others.

Dill’s initial solo music – an intense and unique convergence of traditional flamenco elements and modern free improvisation – won critical praise with recordings such as Warning Clothed in Bright Robes of Dawn (1994) and Sangre Del Rio (1997), establishing his hallmark methodology of combining post-modern and traditional improvising vocabularies from the deep roots of the various musical traditions he grew up in.

That signature approach continues to extend across a wide array of settings and volume levels.

He maintained the adventurous energy of classic progressive rock and free jazz in such projects as the Stefan Dill Trio’s release Run For Heaven (2002), the first incarnation of Love Unfold The Sun, Sama Duo (with whom he scored the soundtrack for the independent Bengali film Birth Of A Pillow), and the prog/word/funk trio Pray For Brain, which released its debut CD None Of the Above in 2014 on7D Media to critical acclaim.

In 2018, Dill licensed solo oud tracks for the documentary “Facing History and Ourselves” and in 2019 composed and recorded the score for the Santa Fe Playhouse production of “The Happiest Song Plays Last.” He contributed a guest appearance in 2022 on oud for the death metal guitarist Karl Sanders (of Nile) solo album Saurian Apocalypse.

Current projects include Love Unfold The Sun, the free-jazz/ambient/funk collective Present Moment with saxophonist Jim Goetsch, bassist Kim Stone (Rippingtons, Spyrogyra) and Dave Wayne, and a fresh return to the solo acoustic post-flamenco soundscapes that began his career, with a preview EP of solo acoustic work to be released this spring. Dill plans to extend the acoustic work into possible group formations in late 2025.

dan pearlman

cornet

studied trumpet and composition at the Oberlin Conservatory in the mid 1960’s.

After spending a number of years in New York and Washington D.C., Dan moved to New Mexico in 1983.

He has played with many different bands and musicians throughout New Mexico in the years since then, including various ensembles with the members of Love Unfold the Sun.

He and Dave Wayne perform frequently with their jazz quintet, OrnEtc.

Dan plays a custom made instrument called the Cornette, built by Dave Monette in Portland, Oregon, which has a very warm and distinctive sound.

ross hamlin

bass

is a multi-instrumentalist and composer from Minneapolis who’s called Santa Fe home since 2004.

In addition to playing bass with LUTS, he also leads Dovetail Orchestra (a silent film/live music accompaniment project), Lalias (a snake oil ambient orphan folk duo project with actor/instrumentalist Rod Harrison), Rhombus Ensemble, and the Zozobra Orchestra.

dave wayne

drums

is a self-taught drummer and composer who’s accompanied a number of innovative and accomplished New Mexico-based jazz and rock artists. He’s also performed with touring musicians such as Brian Haas, Thollem McDonas, Dan Clucas, Jeff Platz, Andrew Lamb, Rob Brown, Jack Wright, Michael Vlatkovich and Catherine Sikora.

In 2009, he composed a clutch of original pieces and formed a band – The Things That Are Heard – to play them. His playing (and composing) has also been documented on several albums, both privately issued and on indie labels such as pfMENTUM, Plutonium, Amirani, and Zerx. Currently,

Dave plays drums for a few local New Mexico jazz and funk bands in addition to his work with Love Unfold The Sun.

 

Reviews

with LUTS/other electric:

“The open improvisations reveal an acute sensitivity ,…, ushering the quartet into one bracing and surprising exploration after another.” Mel Minter, Musically Speaking, April 2019

“[a] kind of post-Milesian electricity of the Davis ’70s bands with a Mid-Eastern sensibility and plenty of freedom. Dill has his own way around the guitar and it has been influenced quite naturally by his own oud work. Everybody gets with it here. It is a good go of things, I would say!” Grego Applegate Edwards, https://gapplegateguitar.blogspot.com, May 2019

“What a shot in the arm the Stefan Dill Trio deliver…. The acerbic jazz-rock captured on Run For Heaven is improvised in its entirety and centres around Stefan Dill’s guitar work, packed with Hendrix inspired blues licks and string bends, coupled with John McLaughlin out there raw energy bursting into beautifully sustained feedback parries with bass and drums, entwined to form this free jazz trio’s bold statement. Elsewhere plump acoustic guitar and bass splish splash through flamenco heat and ice, conjoining in a true fusion….To coin a well known phrase, “it’s music, but not as we know it Jim”. . Julian Derry, review of Six Peaces, Nov 2003

“Flower and Song” is a satisfying and eminently listenable set of duets featuring the 6 and 12 string guitars of Stefan Dill with drummer Dave Wayne, bassist Dave Nielsen, saxophonists John Dikeman and Jack Wright and fellow guitarist John Jasnoch.

There are – perhaps inevitable – echoes of guitarists as diverse as Sharrock and Blood Ulmer, but the urban savagery of the former and the claustrophobic heat-energy of the latter chill out in the high desert air of New Mexico, and nobody’s watching the clock in case the band overruns its studio time.

Stefan Dill, well-versed in classical, jazz, flamenco and rock, is a licks man, meaning not that he throws them in willy-nilly in a display of empty virtuosity, but rather that he knows just the right place to insert them as logical natural developments in his long, unfolding solos. – Dan Warburton, Paris Transatlantic, April 2002

“Loud, burning, skronky stuff (although, they do calm down at times and indulge in some more restrained, quiet passages). It’s all very beautiful if you’re into this sort of thing, definitely for fans of Mahavishnu John McLaughlin and Nels Cline!! Cool.” (for Run For Heaven, 2002)- Aquarius Records

Reviews

with Pray For Brain:

“…an electro-organic feast, enveloping a 3D outlook, spanning Middle Eastern oud-based rock, Indofunk, jazz fusion and hearty doses of improvisation. Here, exceptionally versatile guitarist Mustafa Stefan Dill integrates thrusting King Crimson chord voicings, understated melodies, shades of Americana, Mid-Eastern modalities and performs on the oud as well…. .” Glenn Astarita, AllAboutJazz.com,2/7/2015

“…This instrumental ensemble pushes the envelope and is refreshingly impossible to categorize. Rock, jazz and funk, along with a range of South Asian and Middle Eastern influences, slip between traces of surf, rockabilly and country in a great mix of cultures that twist and turn at the drop of a hat. Here is a jazz/rock composite that will eliminate any preconceived notion of fusion. … This trio is full of endless possibilities.” Alex Brown, Roots World, May 5, 2015

“…These eleven tracks boast plenty of chops, improvisation and a jam-like quality that will keep you guessing where the music will go next….Jam band, jazz fusion and psychedelic overtones abound as Dill’s guitar work absolutely shines. … Fans of fusion music will certainly find something to enjoy with None of the Above. Folks, this one’s a keeper.” Jon Neudorf, Sea of Tranquility, Sept 9 2014

“The playing on this album is complex, focused, and precise. Nelson’s bass playing is mesmerizing, Voorhees plays with hypnotic ease, and Dill’s guitars will knock you out. … Cool heady stuff with balls.” Babysue.com, 6/2/2014

Reviews

acoustic:

“Your music is amazing…stunning. Thank you for your beautiful songs!” Alexia Prichard, filmmaker and executive producer “Facing History and Ourselves”, on licensing MSD solo oud music, November 2018.

” The work of guitarist Stefan Dill is as daring as it is ambitious and satisfying. …These are tensions which propel the music – beyond hearing , which is what it ultimately aspires to- is all to do with the delivering of not just sound, but of a pure experience”. Loretta Summers, World Beat (England), no 6 (April/May 1998)

“..Dill offerierte dem Publikum Flamenco auf hohem Niveau. Dabei sprengte er Form arbeitet mit Dissonanzen und Distanz schaffenden Brüchen. … Dann fand Dill aber auch immer wieder den Weg zur schönen Melodie, zur wunderbaren Blume, die hinter dem Autowrack blüht… ” Lothar Zygar, Neue Westfälische, 28 September 1998 (review of Paderborn Gittarenfest performance)

“Dill’s evocative solo nylon string pieces are an ear-stretching hybrid of Bailey’s stark pointillism and traditional flamenco gestures….full of delicate dynamic shading and poignant silences. Soulful and innovative.” Joe Gore, Guitar Player, May 1998

“Eine mitreißende Tour durch eine andere Welt von Klängen und Inspirationen. Flamenco? Ja – aber einmal ganz anders!” Peter Maier, Gitarre Aktuell, I/98 (No. 60)

“The completeness and extreme originality of guitarist Stefan Dill’s art is more than impressive….He has drawn from all manner of sources: the percussive power of flamenco has a role to play, balancing the expressivity of free jazz and the structural concerns of post – Schoenberg straight music….Crucially, his music is no potpourri: his tastes may be eclectic but he has his own, very distinctive, voice.” Steve Lake, ECM producer, for the FMP Total Music Meeting 1994 programme notes

“…haunting music in a language that floats on the threshold of the unconscious, congratulations!” Roberto Limon, Director, Centro Hispanoamericano de Guitarra, August 1996